May 152013
 

I’ve recently found myself less than impressed by Google. Having been an avid user of Reader, I was left out in the cold when they announced their intention to shut the service down. As a result I use Feedly now.

A few days ago I found that Chrome had begun to crash frequently on Linux, at least on my workstation, and so I had the idea to try switching to Firefox as my main browser.

I had been an Opera user for years and Firefox was never my main browser, so I am not sure why I didn’t try going back to Opera. In any case I didn’t, and now I have set up my workstation, my laptop, my phone and my tablet to all use Firefox as their primary browser.

It works on Linux again, Firefox 21 on Android is working just fine, and on Windows I see much less memory consumption. Everything is tied together by Firefox’ synchronization service. Bookmarks were imported from Chrome on my laptop and then synced to all other devices. Neat :)

The Song of the Day is “My Ever Changing Moods“, originally from the 1984 Style Council album “Café Bleu”. Hear it on YouTube.

May 152013
 

Here’s some construction work in Vienna. This is in the same block where my company will have its new office, a hundred meters from my apartment. At the moment there is still a lot going on here, there is dust and dirt and noise, but I hope everything will settle down soon.

And then: even construction work can look good on such a day :)

The Song of the Day is “When The Whip Comes Down” from the 1978 Rolling Stones album “Some Girls”. Hear it on YouTube.

May 152013
 

Here is an older image for Monday, taken two weeks ago. It was a bright, sunny day and the sun sparkled in the chrome letters on the roof of this Peugeot dealer.

Except of a short and unlucky intermezzo with a Mazda 121 around 1994 (followed by an intermediate Toyota for almost a year) we’ve always had french cars. First came two Citroen CV2, later two Renault Twingo, but we never had a Peugeot. Perhaps an experience still waiting :)

The Song of the Day is “Blue Sky” from Joan Baez’ 1975 album “Diamonds & Rust”. Hear it on YouTube.

May 122013
 

Everything is old in this image, the house, the fence, the street sign, but most of all it’s the newspaper dispenser. Even the idea of paper begins to feel old to me :)

The Song of the Day is “Days Of Old” from the 2000 Eric Clapton / B.B. King collaboration “Riding With The King”. Hear it on YouTube.

May 122013
 

For Saturday I have one more image taken on Thursday. I know, this is very contrary to what I regard as the definition of a daily photo blog :D

Anyway. Let’s shortly look at a remarkable new camera that has just been announced, the all new Olympus Pen E-P5. For me this is without any doubt the most beautiful camera on the market, very much on par with Fuji’s offerings in terms of design, at least competitive in any other conceivable way, leading in some important regards.

Basically this is a more beautiful OM-D without weather sealing and with the electronic viewfinder as an accessory. I wouldn’t mind both things. I’ve used accessory viewfinders on the LX5 and on the E-P2, and while I’ve hated to switch between EVF and back LCD, the new Olympus VF-4 has the same eye sensor as the OM-D, and its size and quality are even better.

It’s pretty hard to say what I would buy today, the E-P5 or the OM-D, but I guess I’d slightly lean towards the bigger viewfinder image. Of course already having the OM-D makes the question academic. Neither is the E-P5 a substantial upgrade from the OM-D (although from any of the old 12 megapixel PENs it certainly is), nor is it a clever choice for a second body, nor do I need a second body at all. There are still a few things that I’d like to have though.

Olympus is an interesting company. Sometimes you’d think they are very much behind the competition. The early PENs were cute cameras, pretty nice looking, the E-P2 and E-P3 were solid and oozed build quality, but in terms of image quality they were modest only. Of course the OM-D fixed that, but it also showed Olympus in the lead with image stabilization. The 5-axis stabilization in the OM-D (and now also the E-P5) is ahead of everything else in the market, and in stabilizing the sensor instead of the lenses, Olympus does the absolutely best thing. Every lens is stabilized, even manual focus lenses, regardless of manufacturer.

I see the same kind of genius at work when I look at the E-P5′s WiFi implementation. The camera can be set up as a server, allowing remote control from a phone or tablet running either Android or iOS. Images can be sent to the controlling device, but they can also be selectively shared with other people’s devices. Additionally the phone’s GPS can be used to geo-tag images on the camera. There are many other cameras capable of WiFi, but no camera so far has implemented it in such an ideal way. It’s more than anybody has wished for, and it also provides the frequently requested tethering solution. This is nothing but cool.

If I were to buy an E-P5 (which I’m not), what would my configuration be? For sure I would buy the electronic viewfinder. I have learned to like composing with the back LCD and for some applications it is advantageous, but in bright sunlight or when I need a higher degree of stability, using a viewfinder is mandatory.

I also have big hands, the normal grip of the OM-D was too small for me, I bought the 2-part battery grip and use the OM-D with the “landscape” grip. There is no battery grip for the E-P5 though, nor would it be possible to add one without completely spoiling the elegant design. A leather half-case could probably be the solution and I’d certainly try it.

As for colors, well, I’ve bought the OM-D in black, but I have no doubt that I would take the E-P5 in silver/black. Not only would it be perfectly matched to my lenses, no, it’s also closest to the design of the original PEN, and that’s what the E-P5 was made to look like.

And if I didn’t already have silver lenses? If I were to start from scratch, would I choose the new black lenses? No way. In fact, contrary to so many other photographers I absolutely love the silver look and would buy the same lenses again.

There are a few other things that I’d like. ISO 100 and the maximum shutter speed of 1/8000s are the most notable, focus peeking, the probably most requested feature, is less interesting for me though. I have stopped using manual focus Nikon lenses and sold almost all of them, but who knows, maybe an f0.95 Voigtlaender lens may find its way in my bag one day :)

The Song of the Day is still “Count The Days” by Marcia Ball. Hear it on Moskva.fm.

May 122013
 

This is the post for Friday, but the images were already taken Thursday afternoon. In normal springs Carinthia is about two weeks behind Vienna, but due to the late snow, this year it’s only a few days.

These days the difference is obvious though. I see it in the dandelions. The meadows in and around Vienna are already white, while the hills of Carintha are still dominated by yellow.

A few days from now they will be white as well and nobody will be able to tell the difference.

The Song of the Day is “Count The Days” by Marcia Ball. Hear it on Moskva.fm.

May 102013
 

Just in case you wonder why the last Post was “2395 – Down By The River” and this is suddenly #3: The reason is that I forgot a post with this title from a few eternities past.

53 – Down by the River” is from December 2006, and that means it is from before I even began with the Song of the Day.

Anyway. Here’s another series of two images from my walk in Vienna’s National Park “Donauauen”. Both images are mostly about balance and the Image of the Day a little more successfully so :)

The Song of the Day is again “Down By The River” from Neil Young’s 1969 album “Everybody Knows This Is Nowhere”. Hear it on YouTube.

May 102013
 

Vienna always pictured itself as a city at a river, but for a long time this was not really true. It was near the river Danube, but the river didn’t run through it, like for instance the rivers in London, Paris, Rome, New York or Prague do.

Things began to change in the last decades, but although the “other side” of the river can now be thought of as being a genuine part of Vienna, and although the focus of development today is north of the Danube, progressively shifting the weight, there are still some parts of rural river area left, protected in a National Park “Donauauen”.

This is the post for Wednesday, a day when I hardly took any photographs. Instead I show you two tranquil images taken a couple of days before in exactly that National Park.

The Song of the Day is “Down By The River” from Neil Young’s 1969 album “Everybody Knows This Is Nowhere”. Hear it on YouTube.

May 092013
 

That’s what I meant in the last post: Again something is given an importance that it normally wouldn’t have. In the color version of this image the red dot was already prominent enough, but the colors in the windows were distracting.

Normally I don’t like this technique of selective black and white, but sometimes I feel it adds to the image. This is such a case.

One more time the Song of the Day is “Simple Things” from the 2002 album “Wildlife” by The Crash. Hear it on YouTube.

May 092013
 

There is an element of surrealism in this image. The stencil in the background reads “mehr mehr”, meaning “more more”. It is in no way connected to anything else depicted here, but the way I have framed the image and due to the contrasting color, it becomes a strong focal point, giving it an importance that it normally wouldn’t have. Consequently a hidden meaning is suggested, a mystery is hinted at, geometric structure seems to imply a message.

You may have seen that method of framing in many of my past images and you will see it for sure in the next :)

The Song of the Day is “Simple Things” from the 2002 album “Wildlife” by The Crash. Hear it on YouTube.