OK, this is a strange format for a post, but it’s a strange format for an image as well ;)

Yesterday morning I took the tram for work. It was one of those old trains that I sometimes take images of, and while I was in there and wondered at which station to get out, I took some images from the same position. Some were not sharp, but some were, and they were easily aligned in Photoshop. At first I wanted to do some trick with masks, but when I tried simply arranging them vertically, I liked the result.

The other image is a night shot. I stayed at work until 8pm and, regardless of the temperatures, had this winter feeling while walking home :)

The Song of the Day is “Time Passes” from Paul Weller’s great 1995 album “Stanley Road”. Hear a live version on YouTube.

Oh dear, a sunrise! How could I?

But then, why not? Sure, it’s a cliché, with probably only sundowns being worse, but it has happened, it did impress me, and I have the feeling that the image is quite a good representation of what I saw.

If sunrises totally disgust you, I can offer you a look though one of the etched windows in our stairwell here in Vienna. It’s likely the better image, but, damn, that sunrise was really great :)

The Song of the Day is “It’s A Fire” from the 1994 Portishead album “Dummy”. Nice song. Head over to YouTube for it.

Saturday we left. I did not take any images. The car was full, my camera bag safely stowed in the back, and the return home were six hours on the highway, thus I wouldn’t have been able to take images anyway.

All images presented here were taken on Sunday afternoon, shortly before we had dinner, not in the restaurant depicted, there we had been the day before.

Anna Maria, a friend of Michael’s from Milano, had asked him why we had exactly picked Sestri Levante for our vacation. Well, you have to pick some place, do you? Now, looking back, I can say that the choice was excellent, and I can say it with much confidence.

It is our way of traveling, to visit sights, and Sestri Levante being in the middle of the Riviera Levante, the part of the Riviera east of Genova, was an ideal place. It has a highway exit and a train station (Michael arrived from Milano by train), but contrary to many other towns and villages on the Riviera, neither highway nor railway are obtrusive.

While Camogli was much more beautiful, it was much easier to get out of Sestri, and that’s not a bad thing when you do it daily. The beach was directly in front of the hotel, thus I could swim in the morning and before dinner, so, all in all I’d say Sestri Levante was a fine place for people with our interests.

The Song of the Day is “I’m Going Back Home” by Nina Simone. I have it on a four CD collection “Four Women: The Complete Nina Simone On Philips”. Hear it on YouTube.

No, I won’t complain about the rain. Why should I? It almost didn’t rain at all today, only from when I left home until I arrived at work, and then once more from when I left work until I arrived at the train. Why would I want to complain??

The Song of the Day is “Number Nine Train”, which is actually wrong, because what you see is a window of Number Five Train, but anyway, I couldn’t think of any better title.

I have the song on a collection of 10 CDs with R&B classics that I bought a year ago. I don’t have it with me, thus I can’t check who sings it, but I guess Tarheel Slim, like on this collection of 111 songs that I found on Amazon, won’t be completely wrong.

I didn’t find it on YouTube, but I think this modern recording by “Tigerman” Fathead can’t be so far off.

EDIT: Found Tarheel Slim on YouTube :)

It’s two weeks now that I brought my broken 17-50/2.8 VC back to the shop and they sent it in to Tamron. No news yet.

On the other hand, not having this incredibly versatile lens has an advantage: I began using my other lenses again.

And why not? Today for instance I used the Sigma 150/2.8 Macro, a lens that I rarely use, but when I do, I thoroughly enjoy the experience.

It’s a big lens, a heavy lens, but it feels good on the camera and it’s really a fantastic lens. All three images here were taken at f2.8, and wide open this lens is really critically sharp. You won’t be able to appreciate it fully at web sizes, but especially the image with the vines on the wall is razor-sharp.

The Song of the Day is “Cherry Pink”, aka “Gummy Mambo” or, in the version of Austrian brass superstars Mnozil Brass, “Gummimambo”. It’s from their 2004 album “Wenn der Kaiser grooved” and YouTube has it.

The Sigma is a cream machine. I say it all the time: this is the best 50/1.4 you can get for Nikon cameras. Small wonder, it’s big, heavy and more expensive than the Nikon 50/1.4G.

This is an image, straight from the camera, taken this morning in one of those few old-fashioned tramway trains on Vienna’s line #5. Normally you can’t open windows, here you still can :)

The Song of the Day is “Cars Hiss By My Window” (quite literally :) ) from the 1971 Doors classic “L.A. Woman”. YouTube has it.

Having lost the stabilized 17-50/2.8 feels … exciting. I almost have not used any other lens since November 6 when I bought the Tammy, and now that I must, I begin to change frequently again. I absolutely love it.

This is a still-life from the window of some esoteric shop here in Vienna’s 7th district, the only place in Austria where the Green Party rules. In a way this is the most impossible place in Austria, our very own San Francisco :)

The Song of the Day is Paul Heaton’s “The People Who Grinned Themselves To Death“. Heaton was then, in 1987, lead singer of The Housemartins, the same Paul Heaton who later was The Beautiful South. It’s not the first time we had him, it won’t be the last time. YouTube has the song.

Didn’t I tell you there’s a pawnbroker in Josefstädter Straße, just for all those photographers in need? Well, yesterday I looked there again, and as always I found something. Lush and oriental. It’s not Easter yet, but the eggs are on the table :)

While I yesterday wondered if I should link to CDs or to digital downloads, today it is terrifyingly simple: I must take what I can get. In 1999 XTC, one of the best English bands of all times, returned with the album “Apple Venus Volume 1″, to be followed a year later by “Wasp Star (Apple Venus Volume 2)”, two extraordinarily good albums. When you look at Amazon today, you can get both via the marketplace, but both albums have been discontinued by the manufacturer, none can be had as digital downloads.

Believe me, I’m not at all communist, I am not against private property, I am not even completely against intellectual property, but what we desperately need, what the world, what our culture needs, what society, what our species needs to further advance, is a return to the premises: Intellectual property is not property at all. You can’t own songs once they’ve been sung.

You can have a right to get paid for the publication or even the performance of these songs, that’s all well, but we need a system where you waive your rights by refusing to publish. I remember all those years when it was not possible to buy David Lynch’s “Twin Peaks”. Someone kept it in his safe and waited for a time when he would make the most money by publishing it. That’s simply not acceptable. We can’t tolerate paintings by Van Gogh and movies by David Lynch to be locked away in safes.

Not publishing music was excusable in the age of vinyl, in the age of plastic, but now, with digital downloads, there is no excuse. Publish or give it up. You stifle our culture.

Easter Theatre” is the song, YouTube has it.

Nothing ages faster than science fiction, and when I saw this image, when I tried variants and ended up with this toned B&W, it immediately reminded me of 1950s science fiction movies.

Speaking of sci-fi, I’m still reading Orson Scott Card, and while “Ender’s Game” did not overly impress me, “Speaker For The Dead” brought up some real clever questions, and now I am in the middle of “Xenocide”. Seems like I will read the next one as well.

The Song of the Day is “A Better Future” from David Bowie’s 2002 album “Heathen”. Hear it on YouTube.

I’m falling behind for no reason but being tired. It’s Thursday morning and this is the image for Tuesday. I made it while my friend Christian and I returned from dinner, and before we heard music until 2am. After that I was not exactly in the mood for image processing. Yesterday I came home late, processed it, chose a title, and then decided to lay down for only a short nap. And here we are: two days behind :)

Esther Emma and Flo asked me how I did the post-processing in “1158 – Sophisticated Lady“. Well, here we go:

It’s two versions from RAW, a dark one for the background, a lighter one for the foreground, and then in Photoshop I used some plugins: Noise Ninja, Topaz Detail and Topaz Clean. I used Noise Ninja on both versions, and by painting on the mask I used the light version for the face. With Topaz Detail I added some local contrast to the face, giving it more definition, but of course that raised noise again. I countered that with a skin beautifier effect in Topaz Clean, added some neutral blur (described towards the end of “571 – Them There Eyes II“). Somewhere in the mix there is also a push in saturation, done with my usual combo of Hue/Saturation layers in different blending modes, described in “683 – Welcome To The Republic“. Throw in a light vignetting layer and you’re done.

You see, there is not so much variation in my processing technique these days, and the reasoning is simple: When I change light in part of the image, I must change local contrast as well, otherwise it would look unnatural. When I do these things, I have to counter noise. Using the skin beautifier from Topaz Clean is a bit radical, but for a mannequin it is OK. On real people you have to be very careful with it, at least when you want to keep them recognizable. Topaz Clean tends to make them years younger, and that’s not always what you want, or better, that’s what you don’t want most of the time. But again, on this mannequin it was a very effective way to eliminate noise, the blur mostly adding glamor. As Flo recognized, the lights of the shop’s decoration in the background look like a pearl necklace, and that adds to the glamor as well.

That’s it. As for this post’s image, well, that’s a face stenciled upon a shop window, and behind the window is an add for a clearing out service. You see parts of the words “Entrümpelung”, “Dachböden” and some more, plus some phone numbers. I saw it while Christian and I walked to my place. I had some other images, but this natural overlay of graffiti and text struck me as an interesting detail. I love it how you can focus near with the Tamron 17-50/2.8.

The Song of the Day is “I Can’t See Your Face In My Mind” from the 1967 Doors album “Strange Days”. We didn’t have The Doors in quite some time. That’s bad, but it can be remedied :)

YouTube has the song.

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