When I got my D300 and the Tamron 17-50/2.8 VC back from repair, I was really awed by the raw speed of focusing and the enormous precision of the autofocus.

Try that one time: use manual focus for a few days, and preferrably do that with a manual focus lens. I have two of them now, the 50/1.2 and the 24/2.8, and both feel so enormously better when focusing than any modern AF lens, it’s a pleasure to use them. Try using such lenses for a few days, then switch to a decent AF lens and feel the awe :D

But then, oh my, am I slow focusing manually! On the other hand, this is part of the appeal of these lenses. They slow me down. I wouldn’t use them for action, but for subjects like today’s, there is nothing wrong with them.

The Song of the Day is “Cool Disposition” by Arthur “Big Boy” Crudup. Hear it on YouTube.

Today I got a phone call. My camera was back and with it the Tamron 17-50/2.8 VC. I didn’t mean to, but I left work early nevertheless.

Uhhh … what can I say? It works. Everything works. Autofocus on my D300 works again, the Tammy works again, no, the camera wasn’t even dusty. And … my, does this lens try to impress me!

And it does. Still, I wouldn’t feel comfortable to recommend this lens any more. I’ve made my experiences and I wouldn’t want you to suffer like I did. But then, so far this particular specimen works absolutely flawlessly. No focus problems, no problems with the aperture blades not closing down, no problems at all.

I’ve tried it. I’ve tried setting the zoom to 50 mm, pointing it rapidly into one random direction, at something at a random distance, and it just worked. Yes, there were some images that were blurred, but setting the minimum shutter speed to 1/30s and/or waiting just a fraction of a second to let the stabilization lock on usually sufficed.

Do I feel fine? You bet :)

I made an excellent image of a bike rider. I tracked him, I took an image at f2.8, he looked at me, a little surprised but not hostile. The image was taken in bright sunlight, it was sharp, had dramatic shadows, and somehow it was just the place and the moment. Everything came together, fell in place. I loved that image. It was just the product of an impulse, seeing, raising the camera, focusing and releasing the shutter, all together in one moment.

Then I deleted the image. Accidentally. I mean, I’m no idiot, but every once in a while I do such outrageously stupid things. I didn’t take any more images and at home I tried to recover the file, but it was too late. I couldn’t find it. It was gone.

Some while later, when I already sat in my living room and tried to use one the files left, I saw this amazing light outside.

My living room looks to the east, and when the sun sets, when its rays come really low, they reflect in the windows of the buildings on the other side of the garden, and this reflected light fills my living room with a sudden flood of warm gold. It doesn’t last very long, only a minute or two, but during that time it is breathtaking.

The Song of the Day is “Goodbye Sunshine” from the 1993 Ceremony album “Hang Out Your Poetry”. Ceremony was a band around Chastity Bono, and they made no more than that single album. What a shame. I absolutely love the album.

I couldn’t find the song on YouTube, and so I took the liberty to upload it. Seems like I didn’t offend the copyright gods this time :D

It’s still supposed to be Summer, only it ain’t. People here in Vienna wear autumn clothing, which I refuse to do, but at the moment, while I sit in my living room, writing this post, my heating is turned on. This is a first for this season, and I feel comfortably warm, while outside the winds are howling.

The image that you see here was made with the new Nikon AI-S 24/2.8, and it was taken from under an umbrella. I guess I was not the only one who felt uncomfortable :)

The Song of the Day is “That’s How I Feel Today” from The Little Chocolate Dandies. You find the song on many compilations, depending on the member of the band you look for. Among others that includes Coleman Hawkins, Benny Carter and Fats Waller. YouTube has a version from 1929.

So The Bike Photographer strikes again :)

I guess this was the last image with the Nikon AI-S 50/1.2 for a few days. I actually did it, I bought a Nikon AI 24/2.8 for €160. This is quite a good price, especially considering that it came with a hood. Unfortunately the weather here is unpleasantly wet and cold, completely untypical for this season, and this takes a bit of the joy out of photography.

The Song of the Day is “I’d Be Waiting” by Xavier Naidoo. See the video on YouTube.

There is much brand snobism on the Net. Go to a Nikon forum and ask for people’s opinions about a certain Sigma lens for the Nikon D300. You are guaranteed to get some answers along the lines of “never put third-party glass on a Nikon camera”. Sigma is a company that many people seem to loath particularly, claiming enormous quality problems.

Well, I have eight Sigma lenses and only one of them has a problem. It’s my old and battered 10-20. The first thing is, that it never autofocused well on the D300. The other thing is, that it is not as sharp as it was and it is even a little decentered, which it definitely was not, when I bought the lens. Thus the Sigma 10-20 is in need of an overhaul and most likely a firmware update.

Other than that, I don’t have any problem with any of my Sigmas. My personal experience is absolutely contrary to much of the published opinion.

On the other hand, I understand how people develop such extreme views. Sometimes you make a very bad experience, and the experience costs you so much time and nerves, that it simply sticks, and from that moment on you have a hard time looking objectively at that particular brand.

I’ve just made such an experience with my Tamron 17-50/2.8 VC. Remember that I sent it in, because it frequently failed to close the aperture upon shutter release? Remember that the Tamron service company asked for the camera body to be sent in as well? Remember that I did that ten days ago, and that I use my old D200 since then?

Well, today I got camera and lens back, they haven’t found anything, they claim that everything’s OK, and when I tried for myself, I found that the autofocus does not work anymore. Not with the Tamron 17-50/2.8, not with any other lens.

Cool, huh? I sent them a lens to be fixed, they asked for the body as well, and instead of fixing the lens, they broke the body!!!

I’m so fed up, I can’t tell you, really. OK, lens and body went back, I’m in for at least another week of waiting.

Hmm … I had a bad, bad feeling about sending in the camera. I already thought of giving up and buying the Sigma 17-50/2.8 OS instead, and I should have just followed my instincts. But then, when the damage is done, you always know better.

As regards the Tammy, well, as long as it works, it is a fabulous lens, but after that experience, I won’t ever buy Tamron again. They have completely broken my trust.

The Song of the Day is “I’ve Had Enough” from the soundtrack of “Quadrophenia”. Hear it on YouTube.

I can’t say that I’m very interested in modern, flawless, untainted architecture, but you can get me anytime with a little decay. Why? Inorganic things somehow get organic when they age. By falling apart, the lifeless begins to breath life. Funny, huh?

The Song of the Day is “A Long Time Ago” from David Byrne’s 1994 self-titled album. YouTube has a video for you.

OK, this is a strange format for a post, but it’s a strange format for an image as well ;)

Yesterday morning I took the tram for work. It was one of those old trains that I sometimes take images of, and while I was in there and wondered at which station to get out, I took some images from the same position. Some were not sharp, but some were, and they were easily aligned in Photoshop. At first I wanted to do some trick with masks, but when I tried simply arranging them vertically, I liked the result.

The other image is a night shot. I stayed at work until 8pm and, regardless of the temperatures, had this winter feeling while walking home :)

The Song of the Day is “Time Passes” from Paul Weller’s great 1995 album “Stanley Road”. Hear a live version on YouTube.

Oh dear, a sunrise! How could I?

But then, why not? Sure, it’s a cliché, with probably only sundowns being worse, but it has happened, it did impress me, and I have the feeling that the image is quite a good representation of what I saw.

If sunrises totally disgust you, I can offer you a look though one of the etched windows in our stairwell here in Vienna. It’s likely the better image, but, damn, that sunrise was really great :)

The Song of the Day is “It’s A Fire” from the 1994 Portishead album “Dummy”. Nice song. Head over to YouTube for it.

It’s Tuesday morning, I have pondered over yesterday’s images and found nothing but this one. There is a certain dynamic in it that I like, and a certain robustness that gives confidence :)

The Song of the Day is “Don’t Panic” from the 2000 Coldplay album “Parachutes”. Hear it on YouTube.

Here’s a Friday image. Friday 13th it was, but nothing bad has happened :)

I was more concerned with programming than with photography, it shows, but I can’t help it. It’s just the way it is. Still, it’s better than Saturday and Sunday, because I have no image for them at all :D

The Song of the Day is “Train Fare Home” by Muddy Waters. It’s on many collections, “His Best 1947 To 1956″ is one of them, and YouTube has the song as well.

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