Today I got a phone call. My camera was back and with it the Tamron 17-50/2.8 VC. I didn’t mean to, but I left work early nevertheless.

Uhhh … what can I say? It works. Everything works. Autofocus on my D300 works again, the Tammy works again, no, the camera wasn’t even dusty. And … my, does this lens try to impress me!

And it does. Still, I wouldn’t feel comfortable to recommend this lens any more. I’ve made my experiences and I wouldn’t want you to suffer like I did. But then, so far this particular specimen works absolutely flawlessly. No focus problems, no problems with the aperture blades not closing down, no problems at all.

I’ve tried it. I’ve tried setting the zoom to 50 mm, pointing it rapidly into one random direction, at something at a random distance, and it just worked. Yes, there were some images that were blurred, but setting the minimum shutter speed to 1/30s and/or waiting just a fraction of a second to let the stabilization lock on usually sufficed.

Do I feel fine? You bet :)

I made an excellent image of a bike rider. I tracked him, I took an image at f2.8, he looked at me, a little surprised but not hostile. The image was taken in bright sunlight, it was sharp, had dramatic shadows, and somehow it was just the place and the moment. Everything came together, fell in place. I loved that image. It was just the product of an impulse, seeing, raising the camera, focusing and releasing the shutter, all together in one moment.

Then I deleted the image. Accidentally. I mean, I’m no idiot, but every once in a while I do such outrageously stupid things. I didn’t take any more images and at home I tried to recover the file, but it was too late. I couldn’t find it. It was gone.

Some while later, when I already sat in my living room and tried to use one the files left, I saw this amazing light outside.

My living room looks to the east, and when the sun sets, when its rays come really low, they reflect in the windows of the buildings on the other side of the garden, and this reflected light fills my living room with a sudden flood of warm gold. It doesn’t last very long, only a minute or two, but during that time it is breathtaking.

The Song of the Day is “Goodbye Sunshine” from the 1993 Ceremony album “Hang Out Your Poetry”. Ceremony was a band around Chastity Bono, and they made no more than that single album. What a shame. I absolutely love the album.

I couldn’t find the song on YouTube, and so I took the liberty to upload it. Seems like I didn’t offend the copyright gods this time :D

Nightfall in a town, a ball of chrome, some lights. This is one more image with the 50/1.2. There may be something sharp in this image, but at the nearest focus distance and at f1.2 it can’t be that much :)

The Song of the Day is an unusual version of “The Way You Look Tonight“. Kevin Rowland and Dexy’s Midnight Runners on their third and last album “Don’t Stand Me Down”. You may like it or not, I love everything they did. This is a bonus track on a re-issue of the album, thus you have to look carefully. The one that I link to has it, and so has YouTube.

There is much brand snobism on the Net. Go to a Nikon forum and ask for people’s opinions about a certain Sigma lens for the Nikon D300. You are guaranteed to get some answers along the lines of “never put third-party glass on a Nikon camera”. Sigma is a company that many people seem to loath particularly, claiming enormous quality problems.

Well, I have eight Sigma lenses and only one of them has a problem. It’s my old and battered 10-20. The first thing is, that it never autofocused well on the D300. The other thing is, that it is not as sharp as it was and it is even a little decentered, which it definitely was not, when I bought the lens. Thus the Sigma 10-20 is in need of an overhaul and most likely a firmware update.

Other than that, I don’t have any problem with any of my Sigmas. My personal experience is absolutely contrary to much of the published opinion.

On the other hand, I understand how people develop such extreme views. Sometimes you make a very bad experience, and the experience costs you so much time and nerves, that it simply sticks, and from that moment on you have a hard time looking objectively at that particular brand.

I’ve just made such an experience with my Tamron 17-50/2.8 VC. Remember that I sent it in, because it frequently failed to close the aperture upon shutter release? Remember that the Tamron service company asked for the camera body to be sent in as well? Remember that I did that ten days ago, and that I use my old D200 since then?

Well, today I got camera and lens back, they haven’t found anything, they claim that everything’s OK, and when I tried for myself, I found that the autofocus does not work anymore. Not with the Tamron 17-50/2.8, not with any other lens.

Cool, huh? I sent them a lens to be fixed, they asked for the body as well, and instead of fixing the lens, they broke the body!!!

I’m so fed up, I can’t tell you, really. OK, lens and body went back, I’m in for at least another week of waiting.

Hmm … I had a bad, bad feeling about sending in the camera. I already thought of giving up and buying the Sigma 17-50/2.8 OS instead, and I should have just followed my instincts. But then, when the damage is done, you always know better.

As regards the Tammy, well, as long as it works, it is a fabulous lens, but after that experience, I won’t ever buy Tamron again. They have completely broken my trust.

The Song of the Day is “I’ve Had Enough” from the soundtrack of “Quadrophenia”. Hear it on YouTube.

Here’s a Friday image. Friday 13th it was, but nothing bad has happened :)

I was more concerned with programming than with photography, it shows, but I can’t help it. It’s just the way it is. Still, it’s better than Saturday and Sunday, because I have no image for them at all :D

The Song of the Day is “Train Fare Home” by Muddy Waters. It’s on many collections, “His Best 1947 To 1956″ is one of them, and YouTube has the song as well.

This is an image from yesterday afternoon. Days are longer now, and though the image is from as late as 5:16 pm, I still caught some rays of sun. I don’t know how you feel about it, but for me sunlight is so tightly coupled with life, I really feel like waking up.

The Song of the Day is “My Vision” from the 2003 Seal album “Seal IV”. See the official video on YouTube.



Sorry for the delay. Yesterday I had one of those rare meetings with my friend Christian. Actually I had forgotten the date, and when he met me at work, I was pretty surprised and embarrassed, because I was supposed to be the host.

Thankfully the shops were still open and I could go the the next supermarket to fetch some edibles and some wine. It left me damn short time for photographing though. In fact this image was taken while I walked back home. Note to self: Never go out without a camera, even if it’s only to the supermarket :)

The Song of the Day is “The Golden Age” from Beck’s 2002 album “Sea Change”. See the video on YouTube.



The good thing is, I have slept long and well. The bad thing is, that I have no time to write a longish post now :)

The Song of the Day is “I’ll Be Your Mirror“, originally from the Velvet Underground’s banana album. I have it on disc 1 of the remastered “Gold” collection of 2005. Nice song, hard to find.

Deezer can’t play anything from the Velvets, on YouTube the song is “not available in your country” (many thanks to the music industry, yes, of course I’d rip it from YouTube), but in the dark forests of Romania I have finally found it :)



Mark “The Landscapist” Hobson did it again. He wrote one of his usual rants against what he calls the “pretty-picture crowd”, and as so often, I mostly agree.

He argues with the two Japanese concepts of “hade” and “shibui“. Both mean a form of beauty, “jimi” being a third one, with shibui being roughly the ideal middle between flashy, gaudy hade and dull jimi.

From “The pursuit of comparative aesthetics” by Mazhar Hussain and Robert Wilkinson we learn that

Restraint is one of the ingredients in shibui. Shibui art objects are unobtrusive, unostentatious and modest with understatement as a characteristic style. An underlying notion is, that the less powerful object will probably be the more artistically effective.

For Mark, the full saturation mindset of the “pretty-picture crowd” is of course hade, and he insists that hade, while not intrinsically wrong, is only endurable against a backdrop of shibui. So far, so good, and I agree, but it may be worth looking deeper.

First it is worth to notice, that hade and shibui are not necessarily connected to certain levels of saturation. Mark oversimplifies. Vincent van Gogh’s pictures probably have more characteristics of shibui than of hade, but when you see them hanging on a wall, you are almost blinded by the saturated colors.

Furthermore we can’t reduce hade and shibui to purely aesthetic categories, they are as much defined as behavioral concepts, as lifestyles, which probably best explains the attributed relative values, and as I understand Mark’s attitude, his gripes seem to be more with behavior and intent than with measurable physical qualities like (over-)saturation.

I guess what we artistically pursue, hade or shibui, it all boils down to why we do it. It’s not even a matter of being a leader or a follower, we all are always both of it to a certain extent. No, it’s a matter of why we pursue art. Do we do it essentially for ourself, meaning: are we free, or do we do it to impress, meaning: are we dependent upon positive feedback, do we strive for admiration?

The more we depend on others, the more we will compromise, the more we will try to please, and pleasing in a Koyaanisqatsi world always and at first means getting seen at all, something that hade perfectly accomplishes.

But even if it is shibui that we pursue, we must ask ourselves why we do it. Is it for us or is it to impress, because there can also be vanity in modesty. Less obtrusive, but only to a degree, and it does not even cater to a different crowd, only to a smaller one :)

I think another aspect of the same thing is, that we should realize we have time, how much time we have, and that it is OK to take time. When I begin to express myself in any creative way, I have all my life to fool around, to try things, to change, both myself and how I work, and I have the freedom to allow myself to do that.

I don’t mean to pray isolation here, that would seem quite ridiculous for a blogger, but I do pray being a little more relaxed. It’s OK when I don’t get raving comments on every photo, and it’s OK when some of my blog posts are met with indifference or are simply ignored.

Relax. Whatever the crowd does: keep doing what you do if you like it and feel compelled to do so.

I also don’t mean to play down the value of feedback, positive or negative. Feedback is OK and it is important as a means to determine where we are in relation to others. It only does not nourish us. What nourishes us, what gives our efforts substance, what gives us freedom, is to stand deeply rooted in our own experience and our own judgment. Other people can help us find out where we are, but it is up to us to know where we want to go.

Having said all that, I notice that my latest images were far from being public successes on SmugMug. Still, they indicate a turn from the playful experiments with Snap Art to an exploration that centers more around content and ambivalence, and this is exactly what I chose as my current side-project. At the moment I like it and feel compelled to do so :)

The Song of the Day is “Seen And Not Seen” from the 1980 Talking Heads album “Remain in Light”. Hear it on YouTube.



Yesterday I commented on “Inertia” by Paul Lester, and out of a whim I announced the idea of trying to follow side-projects, a kind of thematic or stylistic pursuits, that would have a more project-like feel, but that would not completely occupy my time.

Well, connecting to yesterday’s mirror image, I went out and looked especially for mirrors and reflections. That’s the starting point of the first such side-project, but I guess it need not be restricted to mirrors only.

The idea is more along the lines of “unusual or puzzling views”, but the whole thing is so new, I won’t even take that as a working title. Who knows, maybe I’ll kill the project off in two days :)

I got several images that I could have taken, this street scene is just one of them. Actually I selected it more because I really like what I could make of this low-contrast and noisy reflection in the dark rear window of a van.

Really, if there is one thing that those Snap Art filters are great at, then it must be their ability to make every image usable, regardless of technical quality.

The Image of the Day was taken on the sidewalk in front of the same shop where I took the image of the mannequin, that ended up near the end of this year’s SoFoBoMo book “Urban Dreams II“.

Again I have not used Snap Art in this image, but I have used the “Skin Even” filter in Topaz Clean. Basically that’s a skin beautifier, that works great on females and most of the time not so great on males. Here I’ve used it with a mask and lowered opacity. And this reminds me that the trial periods for these filters will be over in a few days, and that I will have to part with some money. So far the shopping list contains Alien Skin Snap Art, Topaz Adjust and Topaz Clean.

The Song of the Day is “The Great Song Of Indifference” by Bob Geldof. I have it on a collection called “Loudmouth: Best Of Bob Geldof & The Boomtown Rats”. YouTube has a video.



It’s Sunday evening, a short weekend is over, I’m back on my way to Vienna. From the train I just saw a breathtaking sundown, a little provocative after a steamy, hot day with dull, overcast sky :)

I don’t really care though. I was exhausted from yesterday anyway, I could not even convince myself to go swimming. Accordingly, the image that you see here was not shot today. It’s out of my SoFoBoMo reserve, one of the images that I made on May 4, the day that I began my fuzzy month.

And now please excuse me, I want to use the rest of the time on the train to define the layout for my book. This time for real :)

The Song of the Day is “Mirror” from the 1997 Beautiful South album “Blue Is the Colour”. YouTube has it for you.

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