The morning sun glowing back from the facade of an electric power transformation substation near where I work. Seems like the sun’s power can glorify everything 🙂
Could be a church, but it ain’t. This is Vienna’s City Hall. Once I’ve worked a hundred meters from there, until four years ago our office was moved into an outer district on the other side of river Danube.
The old office building should have been demolished long ago and already been replaced by a shiny new one, but seemingly office space does not sell that well in Vienna or the price was not right. Finally, any day now, the demolition should start.
Yesterday my friend Ted Byrne, Artist and blogger from Lancaster, PA, was here in Vienna and I’ve shown him a few places. We’ve talked a lot about politics, art and of course photography. Black and white vs color was among our topics, and this is one more example for why I use B&W:
The image simply didn’t work in color. First there was not much color to begin with, and then I had to selectively push exposure and increase contrast, for instance to bring out the structure of the reflections on the lower side of the blades. That’s the kind of operation that ruins every color consistency and, frankly, it also raises noise. None of that is a problem in B&W.
Here’s some morning light in Vienna. I love the colors, but …
… it turns out it also works pretty well in dramatic B&W. What do you prefer?
Actually this is one of the benefits of not blogging images the day they were taken or at least processed. I’ve created the B&W version just a few minute ago, half a year after the original. It was a sudden idea and I really like the result. Had I blogged it in November, I most likely would never have returned to that particular image.