Category Archives: Olympus M.Zuiko 17mm f/2.8 Pancake

2050 – Untold Stories I

I have decided to slowly import my image collection into Lightroom catalogs. I use one catalog per year. I may at one time decide to pull all those catalogs into one big catalog, but at the moment this seems to be a workable solution. 2012 is done, keywords applied to all images, and now I go back through 2011. I already have December and am now working on November.

It’s not only keywording though. I also find images that at the time didn’t make it into a post, often only because I lacked time. Here’s one of them, taken with the Olympus E-P2 and its kit lens, the 17/2.8 pancake.

It’s ISO 1600 and parts of the mannequin were pulled out of the shadow. Yes, there is noise, but if you ask me, the noise is pretty attractive. It’s a fine grain that does not take away from the overall impression at all. Feel free to look at bigger sizes on Flickr.

Again, this is not in any way comparable to what the OM-D can do (while it’s almost two stops better than the LX5), but the remarkable fact is, that Lightroom, correctly used, is as good as Photoshop CS3 + Topaz Denoise, and in some cases it is even better. Part of this is obviously the progress Adobe have made since Camera RAW 4.6. Color noise reduction is much better now and somehow coarse color noise is magically converted into fine-grained luminance noise. In a way the noise that’s left looks very much like the famous DxO noise. I am very satisfied.

This post is called “Untold Stories I” because I fully expect more of them. Cataloging, keywording and processing of old images take time, and that time is time that I don’t shoot. There is no way around though. I just have to do it, because I already have trouble finding images.

“Untold Stories” is from Sinead O’Connor’s 2005 album “Throw Down Your Arms”. You either love it or hate it, I for sure love it. Hear it on YouTube.

1944 – The Price You Pay

Have you been on my blog today, say, two hours ago? You may have felt time-warped. No, not again! Really? Really.

My domain has been moved to another server and, lo and behold, instead of moving the current content, they have simply restored their last backup, dating from the time of the last troubles, pretty exactly a month ago.

They didn’t warn me beforehand, they didn’t notify my after the fact, nothing. Obviously they believe I have my account just to pay them some money. Content? Who has content??

Oh well, this is, but only two weeks ago I had similar troubles with a domain and an email account at It’s just the same. It’s not the company, it’s the price you pay. But then, I’m not even sure if more money buys you so much more service, or if so, how much money I’d have to pay.

It was no real problem this time. I had it fixed in about an hour. Again, it’s just that someone without computer background would have no chance at all.

The Song of the Day is “The Price You Pay” from Bruce Springsteen’s 1980 album “The River”. See a recent live version on YouTube.

1943 – Never, Never

Today we had something like snow most of the day. Not that it was really snowing, but it pretended to. Tiny flakes that amount to nothing, falling from a sky that never intends to keep its promise.

I was outside, made an alibi shot and then drove to the supermarket for the ingredients for dinner. No inspiration, not for photography at least. Dinner was fine ๐Ÿ˜€

The image was made in the morning, through the window of our study, through a fly screen, out on the terrace. It’s not focused, so am I, and this is quite a pleasant state to be in.

The Song of the Day is “Never, Never” by Dinah Washington. Hear it on YouTube.

1920 – Tears Of Rage

I like Kirk Tuck. I admit I only discovered his blog when The Online Photographer reported about his resolution to give up blogging. Thankfully Kirk reconsidered, and since then I follow his blog. He is a powerfully eloquent writer and the sheer amount of text that he produces is intimidating. Nevertheless I read his posts, all his posts, and all but a very few from start to finish. I do it because Kirk is not only knowledgeable, he is also amusing.

And he can be rude. You know, that hobsonesque type of rudeness, that I-know-who-I-am-and-I-say-what-I-say type of in-your-face rudeness. I like that. It’s great to know where someone stands and it’s great to hear honest opinion voiced in an honest way. Very frequently I agree, sometimes I don’t, and this time I don’t agree at all. Kirk mourns Kodak and SOPA/PIPA.

Kirk has blogged a lot (not only) recently about the challenges that digital technology poses to traditional businesses, and as a professional photographer and writer he is exactly where the impact is felt these days. In his world, the “Internet Giants” like Google and Amazon exploit free or cheap content and mix it with their advertising. He sees the artist as being exploited, used in a pseudo-darwinian struggle that can’t be won, devalued and meaningless for the giant content exploiters, washed away and replaced by the next wave of desperate contenders.

And all this may be right. In a way. It’s only that destroying the Internet won’t help. And destroying the Internet is, what SOPA/PIPA are all about.

It may not be meant that way. It may only be a helpless attempt by incompetent, short-sighted politicians, financed by a fat industry that greatly overestimates its value.

I like good Hollywood movies. Probably not as much as I like what Ingmar Bergmann, Federico Fellini, Carlos Saura or Francois Truffaut have made, but I’ll strongly defend “Indiana Jones and the Last Crusade” as one of the best movies ever made. Still, the Internet is changing our world towards freedom, in a way that was never before possible, in a way that science fiction failed to predict, and I don’t want to give up all that for the greater good of Hollywood.

The Internet is a communication infrastructure and the greatest collection of knowledge that humanity ever had. Sure, Encyclopedia Britannica (or Brockhaus around here) is of a higher standard than Wikipedia (much higher indeed, and to see those refined encyclopedias of the past wither away is aggrieving), but Encyclopedia Britannica is a niche product for a very small, wealthy elite. Today I have complete mirrors of all the texts of Wikipedia on my smart phone, ready to be used in situations when I am not even connected. You know, there are Internet cafรฉs in the third world. And people there are able to partake in that wealth, and they are able to contribute, and they do. There is much more to the Internet than “piracy”. There is social change, there is knowledge spreading, there is political power, enormous agility, and the whole world is rapidly changing.

Kirk portraits Google as the big, soulless juggernaut that tries to change the Internet into a TV-like structure, with “free” content produced by exploited authors, intermixed with advertising, the only revenue-generating content at all in this network.

It’s provocative and it’s plain wrong. Sure, Google doesn’t do what it does for the love of us, but that’s not the point. Google is a giant enabler. Google empowers ordinary people like me and you. Google makes it possible for me to write a blog post about something that I care about, and actually make other people who care find it.

There was a time when the Internet was not known to lawyers and businessmen, but even at that time people produced content and liked to see that content shared. The Internet was about communication and sharing of knowledge – and it worked. No business involved, no money paid. All that still exists. It is a layer on top of the plain infrastructure, a community completely isolated from the Internet’s commercial uses.

Let’s admit it, the Internet costs a lot of money and someone has to pay the bill. Even if you dislike the ulterior motives of those companies that provide the infrastructure, in the end it’s great that it is there, because the Internet is of course the exact opposite of a TV-like broadcast medium, regardless of how much revenue Google generates through advertising. The Internet has a commercial backbone, but the valuable part are the constantly re-forming neural connections of this planet-sized brain.

For the first time in human history we have a means of immediate and global exchange, and this is not about media piracy at all. Yes, piracy exists, no doubt, but it is just one small phenomenon in that broiling sea of ideas, exchange and democratic communication.

SOPA/PIPA are laws meant to observe, control and oppress. The sad reality is, that in order to reach their goals, our society would have to mutate into the worst kind of tyranny. And even then they wouldn’t succeed, because there are always ways around for those who are really determined.

SOPA/PIPA would erect The Great Firewall of the United States of America, only that the US define cyberspace as their home turf. You read this post on, the blog of an Austrian author who happens to publish in English language and who uses a domain registered in the US, publishing content hosted on servers located in the US. I don’t feel like I should be under US jurisdiction though. Should I? Should the US government have the right to shut down my blog whenever they feel like it, without due process? Well, they also think they have the right to kill whoever they want, so probably I shouldn’t complain ๐Ÿ™‚

SOPA/PIPA are dangerous because they propose technical solutions that are not only unfit to reach their goals, but that also have severe side effects. Take for instance the idea of DNS manipulation. Not only is it easy to circumvent, it is also undermining the efforts towards a trustable, cryptographically secured DNS that will be essential for combating cyber-crime. You can either have DNS manipulation (by governments, criminals and criminal governments) or you can have secure DNS, not both. It’s a fact completely obvious to every computer scientist, but the politicians still hope for the perpetuum mobile.

The Internet is a complicated clockwork with some flaws, but is completely absurd to expect that technically incompetent lawyers and politicians could fix anything. To the contrary. The proposed measures are technically dangerous, ineffective towards their proposed goals, and they are perfectly adequate as the foundation of a totalitarian tyranny. We don’t want that, we don’t need that, we must never agree to that.

SOPA/PIPA are not made for Kirk Tuck. They are made for Warner and Sony and Disney. So, what’s the solution for the big players in the content industry? I don’t have any. They will have to adapt. I know, being able to sell us the same content on ever new media, vinyl, tapes, CDs and DVDs over and again, that’s what made them fat and greedy, but I don’t need their content. I consume it once in a while, I pay for it, I gladly pay twice if it’s that good (happened a lot with music, happens now with some books), but if I have to choose between a corporate “Internet”, sold by corrupt politicians, and the friendly and helpful society that I have lived in for 20 years now, I say good riddance to the content industry.

Go and invent your own infrastructure. Nobody asked you to try to make money on the Internet, nobody asked you to “go digital”. Don’t whine when it doesn’t turn out as in your arrogance you thought it would. Leave us alone. Go die somewhere where your foul pestilence does no harm.

And Kirk? I wish he would think about what he wishes for. And reconsider. He’s just too good and influential to be on the wrong side. If he ever got what he asked for, I guess he wouldn’t like it anyway.

The Song of the Day is “Tears Of Rage” from “Music From Big Pink”. Or “The Basement Tapes”. Depends on how you like your Band, pure or not. Hear it on YouTube.

1919 – The Great Showdown

Gordon had tracked down that robot for weeks and now he had him cornered. Things were not so easy though. Maybe he should have called out for reinforcements first, but now it was too late. He had to face this metallic monster all alone …

Well, I’m reading Asimov, no doubt, and although the robot in my little fantasy is probably going to violate First Law, it is not so uncommon. Think of it: They didn’t send robots into Fukushima, as everybody had expected, but on the other hand, military ponders the use of robots for securing borders. First Law is not in fashion these days.

The Song of the Day is “The Great Suburban Showdown” from Billy Joel’s 1974 album “Streetlife Serenade”. Hear it on YouTube.